In Hyperspace.

研究成果: Article

抄録

Fredric Jameson indulges a view of Hegel that has been challenged for some time (LRB, 10 September). It assumes that Hegel sees Vorstellung (‘picture-thinking’, or ‘representation’) as in need of supersession by a more adequate mode known as ‘philosophy’. In fact he sees it as a necessary moment – a recognition by the self of its relation to material others – by which all genuine thinking proceeds. As for the ‘end of art’ specifically, Hegel is not trying to establish a ‘philosophy no longer obliged to rely on picture-thinking for its solutions’. The thesis describes a central feature of modernity for Hegel: namely, that representation reveals itself as not exhausting the possibilities of thought, but this does not mean that thought can do without representation. Philosophy’s task is to comprehend that difference, not to abolish it.
元の言語English
記事番号6
ページ(範囲)17
ページ数22
ジャーナルLondon Review of Books
v.37
発行部数no.17
出版物ステータスPublished - 9 10 2015

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Georg W.F. Hegel
Hyperspace
Philosophy
Thought
Fredric Jameson
Art
Modernity

これを引用

Jameson, F. (2015). In Hyperspace. London Review of Books , v.37(no.17), 17. [6].

In Hyperspace. / Jameson, Fredric.

:: London Review of Books , 巻 v.37, 番号 no.17, 6, 10.09.2015, p. 17.

研究成果: Article

Jameson, F 2015, 'In Hyperspace.', London Review of Books , 巻. v.37, 番号 no.17, 6, pp. 17.
Jameson F. In Hyperspace. London Review of Books . 2015 9 10;v.37(no.17):17. 6.
Jameson, Fredric. / In Hyperspace. :: London Review of Books . 2015 ; 巻 v.37, 番号 no.17. pp. 17.
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