In Hyperspace.

科研成果: Article

摘要

Fredric Jameson indulges a view of Hegel that has been challenged for some time (LRB, 10 September). It assumes that Hegel sees Vorstellung (‘picture-thinking’, or ‘representation’) as in need of supersession by a more adequate mode known as ‘philosophy’. In fact he sees it as a necessary moment – a recognition by the self of its relation to material others – by which all genuine thinking proceeds. As for the ‘end of art’ specifically, Hegel is not trying to establish a ‘philosophy no longer obliged to rely on picture-thinking for its solutions’. The thesis describes a central feature of modernity for Hegel: namely, that representation reveals itself as not exhausting the possibilities of thought, but this does not mean that thought can do without representation. Philosophy’s task is to comprehend that difference, not to abolish it.
源语言English
文章编号6
页(从-至)17
页数22
期刊London Review of Books
v.37
no.17
Published - 九月 10 2015

指纹

Georg W.F. Hegel
Hyperspace
Philosophy
Thought
Fredric Jameson
Art
Modernity

引用此

Jameson, F. (2015). In Hyperspace. London Review of Books , v.37(no.17), 17. [6].

In Hyperspace. / Jameson, Fredric.

在: London Review of Books , 卷 v.37, 号码 no.17, 6, 10.09.2015, 页码 17.

科研成果: Article

Jameson, F 2015, 'In Hyperspace.', London Review of Books , 卷 v.37, 号码 no.17, 6, 页码 17.
Jameson F. In Hyperspace. London Review of Books . 2015 九月 10;v.37(no.17):17. 6.
Jameson, Fredric. / In Hyperspace. 在: London Review of Books . 2015 ; 卷 v.37, 号码 no.17. 页码 17.
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